Brief
A call, your footage, your deadline. I come back with a point of view and a fixed quote — never an hourly guess.
An award-winning video editor with an unmatched ability to translate raw footage into compelling narratives that resonate with audiences.
VIDEO EDITOR
I am passionate about creating videos that tell powerful stories and leave a lasting impact. With my expertise in editing and visual storytelling, I can help you achieve your creative goals and exceed your expectations.
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(01) About
Every frame is a decision. I cut for rhythm, tension and the moment an audience stops scrolling.
Nine years in the timeline
I started cutting skate videos on a borrowed laptop and never stopped. Today I work with studios, agencies and founders who need footage to carry a story — not just fill a runtime.
My process is obsessive about pacing. Where a cut lands changes how a line reads, how a room feels, whether a viewer stays. That is the whole craft.
How I work
Small team, direct contact, no account layer between you and the person on the keys. You get dailies, not silence — a rough assembly inside 72 hours on most jobs.
- Adobe Premiere Pro & After Effects
- DaVinci Resolve colour pipeline
- Frame.io review & versioning
(02) Services
What I do
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01
Narrative Editing
Feature-length assembly to final lock. Structure, pacing and performance selects that hold an audience from first frame to credits.
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Colour Grading
Resolve-based grades built on scene-referred workflows. Consistent skin tones, deliberate palettes, delivery-ready masters.
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Motion & Titles
Typographic systems, lower thirds and kinetic sequences that feel designed rather than dropped in from a template pack.
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Short Form Cutdowns
One shoot, twenty deliverables. Vertical, square and landscape variants built to survive a feed without losing the story.
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(04) Process
Four steps, no mystery
Assembly
Selects, structure, a rough cut inside 72 hours. Early and ugly beats late and polished when the story is still moving.
Refine
Two rounds of notes built in. Sound design, motion and grade land together so you judge the film, not the placeholder.
Deliver
Masters, cutdowns, captions and every aspect ratio you need, packaged with the project files. Yours, permanently.
(05) Kind words
He found a film in forty hours of footage that three editors had already given up on. The cut landed us the festival slot.
Fastest turnaround we have ever had on a campaign, and the only one where the short-form cuts outperformed the hero film.
Younes edits like an editor and thinks like a director. He argued me out of two scenes and he was right about both.